〔 kind architecture 〕
PARALLAX: A CHANGE OF POINT OF VIEW <-
2018.08, The Oslo School of Architecture and Design
In the confrontation of two closely linked perspectives can a neutral or common ground be discovered? – a liminal state or structure
What kinds of structures, common language or shared ground can exist to mediate perhaps antinomous points of view?
Conceptual and physical positions in art and architecture:
Hold Your Own, Kate Tempest
Venus Transit, Wolfgang Tillmans
The Parallax View, Slavoj Zizek
Field Party, Keio Univ. Sejima Lab. + Ryue Nishizawa + Takashi Homma
Serpentine Pavillion 2015, selgascano
Shadow is the Queen of Colour, Marthe Elise Stramrud
Abstract Pictures, Wolfgang Tillmans
Sites Unseen, Trevor Paglen
Whitney Museum of American Art, Renzo Piano
New Museum, Sejima + Nishizawa/SANAA + Gensler
Grace Farms Foundation, Sejima + Nishizawa/SANAA
Sumida Hokusai Museum, Kazuyo Sejima / 36 Views of Mount Fuji, Katsushika Hokusai
Shibaura House, Kazuyo Sejima & Associates
Kahitsukan / Kyoto Museum of Contemporary Art
Ryoan-ji
Teshima Art Museum, Ryue Nishizawa + Rei Naito
S Art House, Kazuyo Sejima, Yuko Hasegawa + Haruka Kojin
Quay Street House, own work
Bukkekjerka, Morfeus AS
Nordtvedt Gård Barnehage, Morfeus AS
Fine Thanks!, Kate Tempest
New Museum, Sejima + Nishizawa/SANAA + Gensler
Photographs by Matthew Anderson